My CBG at the Blaffer Art Museum

Last Friday April 26, an exhibition of student art works opened at the Blaffer Art Museum on the University of Houston main campus. The head of the Book Arts & Printmaking department asked me to display my Cigar Box Guitar (CBG) that was my final project for a Book Arts class in December of 2012.

My girlfriend and I attended the opening and noticed that most if not all of the work on display was from Junior and Senior students. I am only a sophomore in the program so this made it all the more special for me to have my work included with the more advanced students. I'm posting some photos from the event because up until last Friday, I had no photos of my completed CBG. I know that must sound a little odd but I'm not very good at documenting my works-in-progress... or the finished product itself. I'll try to do a better job of that in the future.    

BuckToonz is now on it's twice yearly End-of-Semester Hiatus until at least May 11th. I'll see you all after my finals have concluded. Thank you for your patience.

Cigar Box Guitar

This week we're looking at a final project for my Book Arts class from late 2012. Book Arts is a highly recommended class where we learned to do such things as: make various book bindings, book covers and paper, origami, and design/build decorative boxes. Each student was required to choose a theme for the semester and all of our projects were to be based upon our theme. My theme was Music: from the Player and Listener Point-of-View. When it came time for the final project, we were strongly encouraged to be "ambitious". I chose to make a Cigar Box Guitar (CBG) because I thought it would be a good way to demonstrate and use a number of the skills we had learned in class.

I first became aware of Cigar Box Guitars from Guitarz blog a few years ago. CBGs occupy the smallest niche in American music history. Starting about 150 years ago, people with a desire to play music but lacking the funds to buy a professionally made guitar would make their own instruments. Found objects were the primary source of building materials. Scrap wood, wire, metal, and cigar boxes were assembled into playable instruments. The idea was to have a primitive but functional guitar to practice with until the day came when a "real" guitar could be bought. Many famous musicians, particularly Blues players in the Mississippi Delta region, began their careers by playing CBGs. Since the early 1990's there has been a renewed interest in the CBG. But the difference this time around is that the CBG is no longer built as a means to an end, but as an end unto itself. Today's builders use modern power tools, techniques, and materials. There is an entire sub-culture of do-it-yourself amateur musicians who are behind the CBG "Revolution".

I purchased a $50 CBG starter kit on eBay from Sam Kindly Guitars. The kit had a pre-shaped neck, fingerboard, tuning keys, bridge, and piezzo pick-up. It also came with a DVD that gave extremely valuable building tips. I'm not a guy with a lot of tools or skills when it comes to building things but my father taught me some basics when I was a wee lad. So, I was going out of my comfort zone on this one but that was all part of the fun. I sanded, stained, and glued the neck together, drilled some holes, installed the tuning keys, the nut, and assembled the bridge. So then I had a completed neck with all the necessary hardware in place. After that it was a matter of building the box (body) around the neck. I was not allowed to re-purpose a box of any kind, and I had to build my own from scratch.

Box building is not as easy as it may sound, it is indeed an art and a science. Book board (or Davies board) was used to construct the box's back, sides and top. I used double wall construction for everything because I wanted the box to be very stable and solid in order to hold up under the tension from the strings. No template was used for the box design itself, and I just spent some time examining a small cigar box to see how all the various parts fit together. Then the proportions were enlarged to a size that I thought would work the best, and hopefully create a good sound in the end. After the box was built it was time to apply the graphics. Instead of copying an existing cigar company logo or graphics, I had my own concept in mind. I created a fictitious company called "From Trash to Treasure". My pretend company does not produce cigars but instead is a custom cigar box maker that uses exclusively, re-claimed, and re-purposed bamboo and other wood products. My little "green" company has it's own logo, mission statement, and back story. The graphics were output by a sign shop onto an adhesive backed vinyl material that is a standard in most sign making today. Basically, all the graphics were in the form of decals that were then applied by hand onto the box.


Normally, when we work on any school project we go through a critique process. Every time the class meets we are required to bring in what we have, show our progress, and get constructive criticism from classmates and the professor. For this Book Arts final project, things were a little different. We only had to show up once for a critique about ten days before our due date. All I had to show the class at that time was the completed neck and a sample of the materials I expected to use, plus some sketches of the finished guitar. The only questions my classmates had for me was; "Are you sure you can do this?". "Are you in over your head?"  "Will you complete it on time?'. "Will it be playable?"  (Oh ye of little faith!)  Personally I have never been so enthused, excited, and maybe a little obsessed with an art school project before. I had never spent so much time researching, planning, and engineering. This CBG project was very personal to me for some reason. I had really caught the CBG fever!

Your probably asking how this guitar qualifies as a "book"? Well, from the very start of it all I had in mind to included a "book element" into the guitar itself. What I designed was an accordion folded page that pulls out of a semi-secret panel on one side of the guitar. The tricky part was how to build the inner structure to anchor the page in place, but also allow it to feed out and retract properly when needed. This internal structure had to be solid and I could not have anything rattling around loose as I intended this to be a fully functioning acoustic-electric instrument. Printed on that page is the mission statement of my cigar box making company, and a short overview of CBG history in America. I know it sounds like a bit of a stretch but my professor said that it was enough of a "book element" to meet the project criteria. Believe me, the long history of book art design is filled with all kinds of wild, wacky, clever, amusing, and beautiful creations that really push the definition of what is a book. Its pretty interesting stuff and some of these books are truly works of art unto themselves. I encourage you to Google the subject and check it out.

When my CBG was completed, it turned out exactly as I had planned and anticipated. For once I had a final project with no major set-backs.  This was a very pleasurable adventure for me. My guitar is a 3- string fretless and is set up to be played with a glass slide. Those are pretty typical features found on many CBGs. But the cool thing about CBGs is that they are built by individuals and that there is a huge variety of different looks, sounds and configurations.

On the last day of class everyone brought in their various book designs for the final critique. These critiques are always great fun to participate in, because everyone is showing off their absolute best work, and we get to hear all about how they made it happen. My professor had designated me go last. I explained the entire concept and then played the main riffs from Black Sabbath's "Iron Man" and AC/DC's "Whole Lotta Rosie".  After a round of applause, I then surprised my audience by whipping out a tiny battery powered guitar amp I had previously stowed away under the table. I quickly plugged in the guitar and played the same riffs again, but this time with some volume, loads of distortion, and reverb! My performance went pretty well considering that I'm a bass player and only had a few hours to practice playing slide guitar, which I knew nothing about at that time.

Last week I was invited to display my guitar in the University of Houston School of Art Annual Student Exhibition at the Blaffer Art Museum. The show will run for two weeks. My guitar will help represent the Book Arts and Printing Department. There may be an opportunity for me to play live at the museum for another audience.

I also heard last week that for the very first time there is Design Principles class which is having it's students build CBGs for their final projects. Hmmmm...I wonder where they got that idea from? It has been said that "imitation is the sincerest form of flattery". I agree, and we'll leave it at that.

I'm working on an album of more CBG photos for my Facebook page. If you're at all intrigued by CBGs then I recommend Songs Inside the Box a fun and inspirational documentary from a PBS station in Alabama.

1001, 1002, 1003...

My latest sculpture project turned out to be small in scale in comparison to the others I've constructed over this semester. (Just scroll back over the last few posts) This time we were asked to make anything we wanted, with a 1000 pieces of something. I chose to work with "BBs" which are the tiny round metal balls that are used as ammunition for air guns. In my youth I spent many, happy days with an air gun in my hand. All of my previous sculptures have been given a title, but not this time. This piece is pretty abstract. I was inspired by the imagery of two things: Crop Circles and the giant termite mounds of Africa. I wanted to combine the two in a way that the side view would look like an abstract skyline, or city scape. While the bird's eye view would have it look roughly like a typical Crop Circle formation.

I purchased a plastic bottle filled with 6,000 copper coated BBs. The oval wooden base was painted, and then seven big bottles of Super Glue (the gel type), were used to join all the little BBs together. Laying the foundation went quickly as I could put down glue in a large area and then spread the BBs around. But after that it became a matter of putting one or two BBs on at a time. This was done by dunking them in a little glue-filled tin foil trough that I made, and then using tweezers to put them into place. It was not as tedious as one might think. It became rather like meditation after awhile. It also helped to have some music playing. There were portions of the sculpture where the dried Super Glue caused some dulling and hazing of the BBs. I wanted them to retain their original shiny metallic look, so the final step was to coat the entire piece, including the base, with clear nail polish. That part actually went surprisingly fast.

This piece is supposed to look unfinished. It is supposed to be a work in progress with implied movement. I asked my class if they thought the structure was being built up? Or was it disintegrating and falling apart? My classmates were split in their answers but there was agreement on the appearance of "activity". Look closely and you'll see where I was able to build a few "bridges" and stacks that appear to almost defy gravity. That was fun!

This thing is rock solid and can be turned completely upside down, and shaken, without anything falling off. It may not look like it, but my little structure contains at least 4,500 BBs!

I went on a rant once about the use of the word "untitled" in the fine art world. See that post here. I have since come to a better understanding of that particular practice. I see the point and the value of it now--however, I still feel it is something that should not be overused.

Sculpture: "Self-Motivation"

This week we will look at another recently completed sculpture project.  In this project we were asked to take chicken wire and mold it to the body part(s) of our choice. Then, take those molds and abstract the parts and re-arrange them into something new.

This time around the completed idea came to me in a flash. I didn't have to go through the normal process of sketching, prototyping, sweating, and worrying...... It was fun to just jump in and see where it goes, making adjustments, and solving problems on the fly. The nature of chicken wire allows for this because its cheap, somewhat elastic, and easy to work with if you don't mind getting scratched up a bit.

I chose to model the chicken wire around my lower torso, lower leg leg and foot, leaving the shoe in place. My goal was to take the three body parts, abstract them somewhat and then morph them into a new configuration. But for me, this could not be done in a random way, for there had to be a purpose, an idea, or even a narrative behind it. I do enjoy narratives, however brief. I exaggerated the proportions of my lower torso, i.e. my butt, extremely elongated my lower leg, and left the shoe portion unaltered. By far the most difficult part of the build was in making the transition from torso to leg to foot. I was thinking in terms of modeling the the lower leg into something similar to an elephant's trunk, and have it taper down nicely to join the foot. I was not entirely successful. I wish it had been a smoother progression, but I learned in the process. The photos below show the work in progress.

Colored Duct tape was used for an outer skin, and I added an old belt of mine. The belt helped to separate the torso from the rest, and it added a real element to the un-real sculpture. It was important to me to have the piece be self-standing. The easy way out would have been to just let the sculpture lean back and let it be supported by the heel. Well, anyone could do that. It was important to me that it could stand on its own, to defy gravity and expectation in the process. In order to achieve the balancing act it required filling the "pants" with 20lbs. (9 kilos) of small pebbles. This was done using a funnel and adding one handful of pebbles at a time until a balance was achieved.

It was raining on the due day, so I wrapped up my piece for the trip to school in the back of my truck. Even though Duct Tape is water proof, I didn't want to take the chance of rain water seeping into the body, and adding additional weight and creating other complications.

I titled this piece "Self-Motivation". It is supposed to be fun, surreal, and perhaps a bit thought provoking.

Basic structure

Application of Duct Tape

Adding pebbles for ballast.

Safe arrival at school

 

I'm thinking that this could be a potential item for sale in the BuckToonz store, which will officially open this summer. Imagine a much smaller version of this sculpture, made suitable for a desktop, or a shelf display. It would be hand painted and made from wood or ceramic. Limited edition, signed and numbered. What do you think? Leave your feedback here or on my Facebook page.